The First Principles Of Pianoforte Playing
An online tutorial
Designed For School Use, And self learners, Including Two New Chapters Directions For Learners And Advice To Teachers
By Tobias Matthay, Published By Bosworth & Co. Ltd London, Circa 1905

About This Book
This little work is issued to render the teachings of "The Act of Touch" better available for the School-room and Classroom, and as a Text-book for Examinations. It is intended as an Introduction to the subject. The supreme importance of early training in this subject— the mechanism of playing—need not be further dilated upon here, since it has been proved that Agility itself, and all those contrasts of Tone and Duration which enable us musically to express ourselves through the Pianoforte, depend immediately on the proper fulfilment of the laws of Touch, the polemics of which have been amply dealt with in "The Act of Touch." This "Introduction" consists of the promised "Extract" from the original work, from which I have drawn the Preface and a selection from its Recapitulatories and Summaries. To these selections I have added two new and important Chapters : "Advice to Teachers and Self-teachers," and "Directions and Definitions for Learners." This last Chapter roughly covers the whole ground. It is intended for those beginning the study of Touch, and I have endeavoured to couch it in language simple enough to fit it even for children. Its study—accompanied by constant experiment at the keyboard—should be followed by the perusal of the "Extract"; taking this in the following order: (1) the final Summary and Conclusion; (2) the Summaries of the four Parts; and (3) the Recapitulatories of the Chapters of each of these Parts. Constant reference to the "Directions for Learners" should accompany subsequent Practice. Students sufficiently earnest and intelligent to desire more detailed information should follow this, by study of the "Advice to Teachers," and of "The Act of Touch" itself; first referring to the "Contents" of its Chapters, and finally to the text of these. The flattering reception accorded to the parent work leads me to hope that this, its offspring, may prove even more directly helpful alike to Teacher and Pupil. The promised extra Part, "Relaxation—Exercises in Muscular-discrimination," is also in preparation. The second Edition is a reprint of the first, except that some slight misprints have been corrected, and some additions made to pages 1, 126, 129, etc.
The First Principles Of Pianoforte Playing, Partial Index
Deduct 100 from the numbers show to get the original page numbers from the book.
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Title Page
Copyright Notice
PREFACE
PREFACE
CONTENTS
CONTENTS
DIRECTIONS AND DEFINITIONS FOR LEARNERS - 0101.htm
Page - 0102.htm
Page - 0103.htm
Page - 0104.htm
Page - 0105.htm
Page - 0106.htm
Page - 0107.htm
Page - 0108.htm
Page - 0109.htm
Page - 0110.htm
Page - 0111.htm
Page - 0112.htm
Page - 0113.htm
Page - 0114.htm
Page - 0115.htm
Page - 0116.htm
Page - 0117.htm
Page - 0118.htm
Page - 0119.htm
Page - 0120.htm
Page - 0121.htm
Page - 0122.htm
Page - 0123.htm
General Directions (Summary) - 0124.htm
Summary —Reminder of Main Points - 0125.htm
Page - 0126.htm
Page - 0127.htm
Preface - 0129.htm
Page - 0130.htm
Page - 0131.htm
Page - 0132.htm
Page - 0133.htm
Summary of Part I: The Act of Playing - 0134.htm
Note: On Listening - 0135.htm
Note: On Rhythm - 0136.htm
Note: Piano-talent, Note: As to Self-consciousness and Nervousness - 0137.htm
Page - 0138.htm
Page - 0139.htm
Recapitulatory of Chapter VIII: The Instrument - 0141.htm
Fig. 1: Diagram of Pianoforte Action - 0142.htm
Page - 0143.htm
Recapitulatory of Chapter IX: On Sound - 0144.htm
Recapitulatory of Chapter X: The String, Fig. 2: Pendulum Oscillations - 0145.htm
Note: On Pedalling - 0146.htm
Recapitulatory of Chapter XI: The Key, Fig. 3: Diagram Illustrating Key-Levbrage - 0147.htm
Fig. 4: Diagram Illustrating Sudden and Gradual Key-Depression - 0148.htm
Page - 0149.htm
Summary of Part II - 0150.htm
Page - 0151.htm
Page - 0153.htm
Muscle - 0155.htm
Recapitulatory of Chapter XIV: On Key-Contact - 0156.htm
Page - 0157.htm
and Aaded-Impetus. - 0158.htm
Page - 0159.htm
Page - 0160.htm
Table of the Two Concepts - 0161.htm
Recapitulatory of Chapter XVI: The Limbs Employed - 0162.htm
Figs. 6 and 7: Illustration and Description of Thrusting and Clinging Finger - 0163.htm
Page - 0164.htm
Recapitulatory of Chapter XVII: The Required Actions and In-actions - 0165.htm
Page - 0166.htm
Page - 0167.htm
Page - 0168.htm
Page - 0169.htm
Page - 0170.htm
Page - 0171.htm
Table of Required Muscular-Discriminations - 0172.htm
Page - 0173.htm
Figs. 8 and 9; The Muscular-Tendencies During Flat and Bent Finger-Methods, Respectively - 0174.htm
Fig. 11: Faulty Action in Two Front Phalanges of Finger, Note: The Staccatissimo - 0175.htm
Note: The Nature of Glissando - 0176.htm
Recapitulatory of Chapter XVIII: The Three Chief Muscular Tests - 0177.htm
Page - 0178.htm
Recapitulatory of Chapter XIX: The Three Species of Touch-formation - 0179.htm
Page - 0180.htm
Page - 0181.htm
Page - 0182.htm
Page - 0183.htm
Table Showing Relationship Between Species of Touch, Movement, and the Resting - 0184.htm
Recapitulatory (reduced) of Chapter XX: Enumeration and Classification of Touches - 0185.htm
Page - 0186.htm
Page - 0187.htm
Table—Final Classification - 0188.htm
Summary of Part III - 0189.htm
Page - 0190.htm
Page - 0191.htm
Page - 0192.htm
Page - 0193.htm
Page - 0194.htm
Page - 0195.htm
Page - 0196.htm
Page - 0197.htm
Note: Exceptional Forms of Staccato and Legato - 0198.htm
Note: Incorrect vs. Correct Finger-technique - 0199.htm
Page - 0200.htm
Page - 0201.htm
Preamble - 0203.htm
Recapitulatory of Part IV (Position) - 0204.htm
Page - 0205.htm
Page - 0206.htm
Page - 0207.htm
Page - 0208.htm
Page - 0209.htm
Page - 0210.htm
Summary of Position - 0211.htm
Position of Thumb, Flat-Finger Staccato, Correct Position of Thumb, Arm position - 0212.htm
Conclusion: Glossary and Summary of the Main Teachings - 0213.htm
Page - 0214.htm
Page - 0215.htm
Page - 0216.htm
Page - 0217.htm
Page - 0218.htm
Final Summary of Extract - 0219.htm
Page - 0220.htm
ADVICE TO TEACHERS AND SELF-TEACHERS - 0221.htm
Page - 0222.htm
Page - 0223.htm
Page - 0224.htm
Page - 0225.htm
Page - 0226.htm
Page - 0227.htm
Summary of Main Points to be Insisted Upon whilst Teaching - 0228.htm
Lagato First, or Staccato? - 0229.htm
Page - 0230.htm
Page - 0231.htm |
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