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THIRD PART. |
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it his aim to obtain correct phrasing by a suitable application and adjustment of the changes in the stroke.
The following examples from Mendelssohn's violin concerto are often incorrectly phrased, through changing the bow in the wrong places: — |
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The above passage is thus rendered by many violinists: |
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and in David's edition of the concerto it is even marked thus: — |
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and a similar passage in this way: |
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