Share page | Visit Us On FB |
|
39 |
||
![]() |
|||
Afterwards several notes may be taken on one string, |
|||
then on the different strings. |
|||
![]() |
|||
6. The rebounding or springing (sautille) bow. This bowing differs from the foregoing in that the bow rebounds from the string after each note, and is then permitted to fall upon it again from above. In order to avoid too great dryness or hardness in the tone, the bow when falling on the string must be gently controlled. |
|||
![]() |
|||
Secondary bowings.
i. The bound, or legato bowing. In this, as many notes are played at one stroke as may be found connected by the curved legato sign, or as necessitated by the phrasing. In passing from one string to another the wrist will require special watchfulness. |
|||
![]() |
|||
2. The staccato stroke. This is, as already stated, a series of martele notes taken in one bow, and must first be slowly practised with the up bow, to the point, and with a free wrist; the thumb only exerting a slight |
|||