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MUSICAL MEMORY. 2 3 |
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whilst passages which require the hands to be crossed, and of which the Adagio from Beethoven's Sonata, Op. 2, No. 3, is an example, are also liable to be memorized in this way:—
Ex. 19. |
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Although the eye possesses a greater power of retention than any-other sense, yet in playing piano music from memory we shall frequently find that visual memory is the power which we rely upon least of all, and it may, as we stated in the opening paragraph of this-Cnapter, be dispensed with altogether. |
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