|Visit Us On FB
MUSICAL INSTRUMENTS. 103
hundred years ago, had only three octaves, in which the chromatic intervals did not occur. Some progress in the construction of the organ is exhibited in an illustration (engraved p. 104) dating from the twelfth century, in a psalter of Eadwine, in the library of Trinity college, Cambridge. The instrument has ten pipes, or perhaps fourteen, as four of them appear to be double pipes. It required four men exerting all their power to produce the necessary wind, and two men to play the instrument. Moreover, both players seem also to be busily engaged in directing the blowers about the proper supply of wind. Six men and only fourteen pipes ! It must be admitted that since the twelfth century some progress has been made, at all events, in the construction of the organ.
The pedal is generally believed to have been invented by Bernhard, a German, who lived in Venice about the year 1470. There are, however, indications extant pointing to an earlier date of its invention. Perhaps Bernhard was the first who, by adopting a more practicable construction, made the pedal more generally known. On the earliest organs the keys of the finger-board were of enormous size, compared with those of the present day; so that a finger-board with only nine keys had a breadth of from four to five feet. The organist struck the keys down with his fist, as is done in playing the carillon still in use on the continent, of which presently some account will be given.
Of the little portable organ, known as the regal or regals, often