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THE ROTE-SONG OF THE HOP I |
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tritonuses, and the remainder differing from these and among themselves.1
The diatonic order actually emerges in but one of the three cases /just mentioned in which a theme is shifted through a fourth. Snake | Song No. 6 groups semitones and minor thirds, Malo-katcina juxtaposes two minor thirds. Only Haikaya, by the modulation of a sequence consisting of a minor third following one tone and followed |
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