Favorite Songs and Hymns For School and Home, page: 0078

450 Of The World's Best Songs And Hymns, With Lyrics & Sheet music for voice & piano.

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78                              FAVORITE SONGS FOR SCHOOL AND HOME
GRADUALLY, in Italy, singing became an art. What we mean by singing when we speak of it as a source of pleasure ot the higher kind, is really an Italian art, which has been diffused over the civilized world; and the Italian school of singing is still the great school,�others, in so far as they differ from that school, being inferior. The first distinctive charac�teristic of the Italian school of singing is the delivery of the voice, the mode of uttering a single note. Italians generally (for singing in this way has be-
come a second nature to the whole people) use their voices in quite a different way from the generality of other people. They naturally utter their notes with a purity and a freedom rarely heard from untaught persons of other races. The delivery of the voice is the foundation of their excellence as singers. In�deed, it may almost be said to constitute that excel�lence ; for not only is there no great singing without it, but the chief aim of Italian vocal discipline is to attain execution united with this free vocal utterance.
There are singers who have voices of remarkable power, range and flexibility, who can never be great because, either by nature or from bad and ineradica�ble habit, they cannot attain this pure and free deliv�ery of the voice. Theii tone is guttural, or it is nasal, or it is rough, or it is unsteady, or something else ; it may be merely constrained ; in any case, the fault is more or less destructive. There may be great singing without great power, without remarkable flexibility, without the ability to execute a roulade or
trill; but there can be no singing really great without this free, pure delivery of the voice. A singer who can go through the whole range of his voice, from low to high, swelling out the tone and diminishing it with the vowel sound of broad a (ah), preserving, that sound pure, and uniting with it perfect intona�tion through crescendo and diminuendo, has con�quered much more than half the difficulties of the-art of vocalization. All the rest, almost without exception, are mere "limbs and outward flourishes.""
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