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Modulation 49 |
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(2) Another device is to take the II of the new key, and then proceed as usual, e.g.,
60 |
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(3) Again, the I2 of the new key may be taken on an accent; this must, of course, be approached regularly; e.g.,
61 |
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(4) JThe new tonic may be taken direct, if treated with such prominence that it asserts itself as a key-chord. |
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Exercise 19.
(a) Play all the above devices in every major and minor key.
(b) Vary these by introducing passing-notes, neighÂbours and suspensions.
(c) Play phrases in various keys, in each case modulatÂing to one of the five next related keys. |
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