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40 Lessons in how to correctly play improvisations.

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Modulation                                   49
(2) Another device is to take the II of the new key, and then proceed as usual, e.g.,
(3) Again, the I2 of the new key may be taken on an accent; this must, of course, be approached regularly; e.g.,
(4) JThe new tonic may be taken direct, if treated with such prominence that it asserts itself as a key-chord.
Exercise 19.
(a)   Play all the above devices in every major and minor key.
(b)   Vary these by introducing passing-notes, neigh­bours and suspensions.
(c)   Play phrases in various keys, in each case modulat­ing to one of the five next related keys.
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