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40 Lessons in how to correctly play improvisations.

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Chord-Repetitions                              41
These free progressions may occur in any voice, but the soprano and bass are the only ones that the present student need consider, as in the following.
The foregoing may be freely combined with neighbours and passing-notes, introducing many new and attractive effects; e.g.,
Exercise 15.
(a)   Play the above group 49 in every major and minor key.
(b)   Play group 50 in the same keys.
(c)   Invent phrases and periods introducing transferred 7ths.
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