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Second Inversions: The I2 and the IV 2 25 |
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The student may adopt this method of approaching the cadence from now onwards. The first method of emÂployment (stationary bass) is useful and frequent. It gives the effect of neighbouring tones, or embellishments, rather than of new chords, e.g., |
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The third method (the scale-line bass) is useful when the melody or the bass steps up or down from the root to |
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Here are further examples of the use of the six-four: |
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