EXTEMPORE PLAYING - online tutorial

40 Lessons in how to correctly play improvisations.

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Second Inversions: The I2 and the IV 2            25
The student may adopt this method of approaching the cadence from now onwards. The first method of em­ployment (stationary bass) is useful and frequent. It gives the effect of neighbouring tones, or embellishments, rather than of new chords, e.g.,
The third method (the scale-line bass) is useful when the melody or the bass steps up or down from the root to
Here are further examples of the use of the six-four:
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