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74
THIRD PART.
it his aim to obtain correct phrasing by a suitable appli­cation and adjustment of the changes in the stroke.
The following examples from Mendelssohn's violin concerto are often incorrectly phrased, through changing the bow in the wrong places: —
The above passage is thus rendered by many violinists:
and in David's edition of the concerto it is even marked thus: —
and a similar passage in this way:
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