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NEGRO FOLK RHYMES
these introductory words and lines automatically became "Verse Crown."
Just as I have figuratively termed the Supplements in one place "stage scenery," so I may with equal propriety term the "Verse Crown" the "rise" or the "fall" of the stage curtain. They separate the little Acts of the Rhymes into scenes. As an example read the comic little Rhyme "I Walked the Roads." The word "Well" to the first stanza marks the raising of the curtain and we see the ardent Negro boy lover nonsensically prattling to the one of his fancy about everything in creation until he is so tired that he can scarcely stand erect. The curtain drops and rises with the word "Den." In this, the second scene, he finally gets around to the point where he makes all manner of awTkwTard protestations of love. The hearer of the Rhyme is left laughing, with a sort of satisfactory feeling that possibly he succeeded in his suit and possibly he didn't. Among the many examples of Rhymes where verse crowns serve as curtains to divide the Acts into scenes may be mentioned "I Wish I Was an Apple," "Rejected by Eliza Jane," "Courtship," "Plaster," "The NewTly Weds," and "Four Runaway Negroes."
Though the stanzas in Negro Rhymes commonly have just one kind of rhyming, in some cases as many