Naval Songs & Ballads - online book

3 Centuries Of Naval History In Shanties & Sea Songs With Lyrics & Notes

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INTRODUCTION
xi
good material for verse, if they were treated on the traditional lines. Dibdin was anticipated by Gay and Stevens, and many others whom the world has forgotten. But whatever popularity they attained in their own day, their productions have no claim to inclusion in these pages, for they merely represent a literary fashion, and are too artificial to possess any value for historical purposes. More­over the best of them are so well known that it is unnecessary to reprint them, but two or three early examples have been inserted in order to show when this species of naval verse began to appear and how it originated. It has also seemed needful to give incidentally some brief account of the poetical litera­ture which illustrates various periods in the history of the growth of English sea-power.
The earliest celebrations of the exploits of the navy came from the pen of a professional poet, Laurence Minot. His works, first discovered by Thomas Tyrwhitt, were published by Joseph Rit-son in 1795 under the title of Poems on Interest­ing Events in the reign of King Edward III, •written in the year 1352 by Laurence Minot. The most accessible edition is that of Mr. Joseph Hall, published by the Clarendon Press in 1887. Of the eleven poems which Minot devotes to the occur­rences of King Edward's reign, two narrate naval victories. The fifth recounts the fight with the French at Sluys on June 24, 1340; the tenth de­scribes the battle known as Les Espagnols sur Mer, which took place off Winchelsea on August 29, 1350. Directly, the historical value of the two poems is small. Indirectly, they are valuable as illustrating the spirit of the time and the methods of naval warfare in the fourteenth century. ' The battles on the sea,' writes Froissart, ' are more dan­gerous and fiercer than the battles by land : for on