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to place the best dressed and handsomest chory-eutes in front.
The songs were accompanied with well regulated movements, usually of a stately and dignified character, such as befitted the characters which they were representing, the parts which they performed usually being those of Matrons or Patriarchs, who were best suited to give counsel, comfort, or admonition to the acting characters of the drama.
The formation of choruses, was a matter of legislation. The archon of the city, gave the task of forming the choruses, to some of the wealthy citizens, who had the title of Choregus. This person was not the chorus leader, but the founder of it. He had authority from the archon to receive and select able singers; when he had the organization formed, he engaged a choryphaeus or director, to instruct the members in singing and dancing; he engaged flute-players* to accom­pany them, and paid a regular salary to them all, that of the flute-players being higher than that of the singers. He had to board and lodge them; to supply them with good beverages during rehear­sals; to see that they received nutritious food, and such as was good for their voices; to supply them with masks, and costumes for their parts, and other duties all tending to the well being of the chorus. The choregus received no pay for this, but if in a dramatic contest Ms chorus was
•Some Dithyrambic poets kept a band of ttute-rlayers to accompany I heir choruses.

E-Book - An Annotated Compendium of Old Time American Songs by James Alverson III