THE MORRIS BOOK, Online Version

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B1.
Bars 1 to 4
Tapping (see diagram, p. 54).
"
Bars 5 to 8
Half-Chain. Tap on half-bar in bar 8.
Column.
Bars 9 to 12
Tapping, as in first 4 bars.
Front.
Bars 13 to 16
Complete Chain. Tap on last half-bar.
Column.
A2.
Chain. Tap at half-bar in bars 4 and 8.
"
B2.
Bars 1 to 4
Tapping as before.
Front.
Bars 5 to 8
Tapping as before.
"
Bars 9 to 16
Cross-over. Tap at half-bar in bars 12 and 16.
"
A3.
Bars 1 to 4
Tapping as before.
"
Bars 5 to 8
Tapping as before.
"
B3.
Bars 1 to 8
Back-to-back. Tap as in Chain, &c.
"
Bars 9 to 12
Tapping as before.
Front.
Tapping as before; but in bar 14 leader calls "All in," and in bar Bars 13 to 16 16 all j. (to Col.), and tap across on last half-bar, holding sticks as at the beginning.
" Column.
ALL IN.
MUSIC.
MOVEMENTS.
FORMATION.
TRUNKLES (CORNER DANCE).
Once to yourself
Ju, last half-bar.
Column.
A1.
Down-and-back, Ju., Up-and-back, j. (forming Fr).
Column to Fr.
B1. (Corners).
(1st time). Bars 1 to 8
Nos. 1 and 6 advance at 4/3 step, beginning with the left foot, so that they are face to face at the end of bar 3.
Front.
Bar 4
At beginning, Nos. 1 and 6 stamp their right feet. Nos. 1 and 6 raise and swing their right feet and on half-bar, strike them together, sidelong; then step briskly backward to their places, making room for Nos. 2 and 5.
B1. (Corners).
(2nd time).
Nos. 2 and 5 do precisely as Nos. 1 and 6 in B1, 1st time.
"
B1. (Centres).
(3rd time).
Nos. 3 and 4 do precisely as Nos. 1 and 6 in B1, 1st time.
Front.






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