HOW TO SING A SONG - online book

THE ART OF DRAMATIC AND LYRIC INTERPRETATION.

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96 DRAMATIC AND LYRIC INTERPRETATION
Every gesture corresponding to the text must also be adapted to the period of the costume.
But your role must not be that of a tailor's dummy dressed in the costumes. Just as you
Au Luxembourg jb fis sa connaissancb . . . (Song epoch 1860, Les Hussards de la Garde)
have to animate your words, color them, ac­centuate them, just as you have to give light and shade to your voice, so you have to ani­mate your costumes. You must know, guess how and when you can produce with the








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