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THE ART OF DRAMATIC AND LYRIC INTERPRETATION.

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72 DRAMATIC AND LYRIC INTERPRETATION
forehead or of his ears, how to paint his mouth larger . . . concluded that his comedies should be played as low farces. But while Moliere was in verity a delicate satirist and brilliant writer, he was a decidedly bad actor.
And probably none of us has seen or will see Moliere properly presented, as it is humanly impossible to assemble a company of players, each of them in possession of that divine gift of nature, a sense of humor.








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