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52 Extempore Playing
It will be seen that the possible commutations are practically endless.
(a) Transpose the simple 'strides/ as shown above (63), into all keys.
(b) Take the reverse motion devices (64) and transpose into all keys.
(c) Vary some of these by changing the arrangement of the voices.
(d) Add to the same unessential discords—suspensions, passing-notes, etc.
(e) Play the modulations shown at 65, and invent many others on similar lines.