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ductor in London, has made an arrangement of Nobody's Darling But Mine. When the St. Louis Blues is made into a Metropolitan Opera, the truth will finally be evident. In the meanwhile, the world will need to be content with the nasal-voice boys and girls of the hinterlands who have most curious things to say about love and My Gal Sal. There seems to be an awful lot of double-crossing done by the ladies in the "mountings," and they invariably pay for it. This makes art. |
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